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London. A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend – until a strangely encoded letter arrives from Paris.
Mlle La Victoire, a beautiful French cabaret star writes that her illegitimate son by an English lord has disappeared, and she has been attacked in the streets of Montmartre.
Racing to Paris with Watson at his side, Holmes discovers the missing child is only the tip of the iceberg of a much larger problem. The most valuable statue since the Winged Victory has been violently stolen in Marseilles, and several children from a silk mill in Lancashire have been found murdered. The clues in all three cases point to a single, untouchable man.
Will Holmes recover in time to find the missing boy and stop a rising tide of murders? To do so he must stay one step ahead of a dangerous French rival and the threatening interference of his own brother, Mycroft.
This latest adventure, in the style of Sir Arthur Conan Doyle, sends the iconic duo from London to Paris and the icy wilds of Lancashire in a case which tests Watson's friendship and the fragility and gifts of Sherlock Holmes' own artistic nature to the limits.
- Sales Rank: #722630 in Books
- Published on: 2015-10-06
- Released on: 2015-10-06
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 1.20" w x 6.40" l, .59 pounds
- Binding: Hardcover
- 320 pages
Review
A Publishers Weekly Staff Pick
“A pacy and twisting story – made me forget I wasn’t reading a Sir Arthur original.”―The Sun
"In a world with more than its share of Sherlock Holmes pastiches, it is rare for one to soar above the rest, but Bonnie MacBird's Art in the Blood achieves this singular feat and deserves a tip of the deerstalker." –-Otto Penzler, editor, “The Big Book of Sherlock Holmes Stories"
“Dark, stylish, ingeniously plotted. Gripping, enthralling read. Holmes & Watson live!” –-Hugh Fraser
“A thoroughly entertaining Sherlock Holmes adventure worthy of Doyle himself. … vivid period detail, a superb, labyrinthine plot, snappy pacing and, most importantly, a deep respect for the classic characters.” –-Bryan Cogman, Producer/Writer, HBO's Game of Thrones
"Bonnie MacBird's ART IN THE BLOOD has the three key ingredients for a delicious pastiche: Meticulous research, plausibility, and grand fun!" –-Leslie S. Klinger, editor, “The New Annotated Sherlock Holmes”
About the Author
Bonnie MacBird was born and raised in San Francisco and fell in love with Sherlock Holmes by reading the canon at age ten. She attended Stanford University, earning a BA in Music and an MA in Film. Her long Hollywood career includes feature film development exec at Universal, the original screenplay for the movie TRON, three Emmy Awards for documentary writing and producing, numerous produced plays and musicals, and theatre credits as an actor and director. In addition to her work in entertainment, Bonnie teaches a popular screenwriting class at UCLA Extension, as well as being an accomplished water-colourist. She is a regular speaker on writing, creativity, and Sherlock Holmes. She lives in Los Angeles, with frequent trips to London.
Most helpful customer reviews
68 of 77 people found the following review helpful.
A Flimsily Plotted, Poorly Characterized Effort
By London Fog
*** POSSIBLE SPOILERS AHOY***
For several months, I had 'Art In The Blood' on pre-order, which is something I almost never do, and was greatly looking forward to a book that gave every appearance of being a traditionally penned Sherlock Holmes story. Alas, it disappoints me to admit not only was this nothing of the sort, it has also gone a fair way in causing me to reconsider the wisdom in continuing to read pastiches by modern writers. It has been apparent for a while now that certain television and movie characterizations have leaked into published Holmes novels, yet here, the author maintains a pathetic knowledge of Canon and, as she admits herself, makes no attempt whatsoever in imitating the characterization or writing style (the latter, I admit, is far less of an issue) of Doyle's creations.
Therefore, before the story itself began to fall apart, my main gripe was that these men referred to as Sherlock Holmes and Dr Watson were anything but; though her Watson is not so lamentable, and even fairly good at times, Holmes was entirely unrecognizable to this stodgy old Canon purist. On that note, however, it must be said that the greatest flaw of this book was not actually the intentionally skewered characterizations, but what passed for its plot.
After Watson is married and his wife is away visiting her mother (apparently, Mary Morstan is not an orphan in this author's world), he is summoned to Baker Street, where Holmes is languishing in a black mood after a stint in prison. Nothing the doctor can do rouses him, until an interesting missive requesting his assistance in the possible kidnapping of the woman's young boy comes along. Holmes then journeys to Paris, where it appears, aside from some utter twaddle regarding the man becoming besotted with a client, there lies a nice, juicy mystery ahead.
Except, this is where the plot begins to unravel and the nonsense begins. Along with this investigation of the disappeared child, Mycroft has enlisted Holmes to look into the whereabouts of a stolen statue which it turns out connects to the kidnapping case. Instead of the two plots intersecting gradually, after interviewing the Parisian woman, Holmes and Watson magically end up at a nightclub where the most utterly ridiculous and extraneous "action" scene transpires. There, he meets Vidocq (can we say derivative?), who has also been enlisted by the child's mother/his paramour. Of course, being the glorified fanfiction this is, we get to see a jealous!Holmes whose emotions cloud his judgement.
Not, in all honesty, that it would matter, because this kidnapping "investigation" goes absolutely nowhere, not even in a circle as it chases its own tail, and after a second, pointless interview with the child's mother, Holmes arrives in London and gets the solution to the case handed to him on a silver platter by Mycroft. You read this correctly. At around page 110, Mycroft basically just tells him where the boy is, and as a favor for this piece of information, has his brother go undercover at the house of the boy's adopted parents, who, we just magically are told out of thin air, is the art thief who stole the statue. To be fair, Holmes does find this out himself whilst disguised at the docks, but there is not even a sentence of explanation as to how he made the connection betwixt the shipping yards and the thief. Loose threads such as this littered the story, and really made it impossible to continue holding my attention when we know everything from motive to perpetrator 1/3 of the way through the story.
In short, though I am loath to leave books unfinished, it took me five or six days just to slog through to somewhere over page 230, where I finally had to admit defeat. An airy, insubstantial, incredibly dumbed down version of Doyle's creation, the Holmes we were presented with here was but a pale intimation of that great intellect, the "introspective and pallid dreamer of Baker Street", and replaced with an action figure more suited for modern audiences who prefer to check their little grey cells at the front door in regards to their reading material. Quite frankly, this was BBC fanfiction with a thinly veiled Sherlock & John in something vaguely resembling the Victorian era, and although saying as much will no doubt get me burned in effigy, it is indeed a sad day if this is what the future of pastiche is destined to become.
In conclusion, this is not a recommended read for Holmesians, those of that dying breed who prefer the intellectualism of the originals over sensationalism. I also noticed this book was not endorsed by the ACD estate, and whilst that has never been a factor which weighed at all with me, if this is what does /not/ get approved or vetted by the estate, then I might just have to reconsider that stance.
27 of 30 people found the following review helpful.
The game is afoot, again!
By biscuitbear
One of the best Holmesian pastiches around! (and I've read a lot). Holmes and Watson are back in this delightful adventure which takes us from the cabarets and artist studios of Gay Paree to a country estate in Lancashire, mixing real and fictitious places and characters in a thoroughly credible way. The relationship between Holmes and Watson is particularly carefully rendered and feels authentic ; at times, the dialogues and attitudes between the two clearly call to mind some of the pairs of famous actors who best portrayed the duo. Other cast members are equally well portrayed, such as the beautiful and feisty singer Mlle La Victoire, and Holmes's cocky but endearing rival Vidocq. Plenty of twists and turns, plots and sub-plots, and convincing villains make this a fast-paced page-turner, while also efficiently conveying the nostalgic, pleasant feel of the adventures of the well-loved duo, complete with scenes in Baker street and rattling along London streets and the English countryside in cabs and trains. An exceedingly enjoyable read, can't wait for the sequel!
16 of 17 people found the following review helpful.
I also ended up losing touch fairly easily, and not being really interested in what was ...
By Yzabel
[NOTE: I received a copy of this novel through Edelweiss, in exchange for an honest review.]
Decent but nothing to write home about. While I found myself excited at first, because it was reminiscent of actual Sherlock Holmes adventures, I also ended up losing touch fairly easily, and not being really interested in what was happening. Perhaps because of the hints at a potential attraction toward the French artist (I don't know... for me, Irene Adler still remains the only woman for Sherlock). Or because the mystery itself seemed to drag, and to lack the usual “punch” I expect in a Holmes & Watson adventure.
I thought Sherlock overlooked quite a few things, and made a few too many mistakes here, mistakes that didn't ring “true” to his character. Granted, I haven't read any of the original stories in a few years; however, I don't remember him as endangering himself so because he miscalculated an enemy's move, for instance. He felt and acted as less acute than his usual self here, and all in all, he wasn't the Holmes I'm used to: making him more approachable didn't work here, and seeing his judgment sometimes impaired by tepid emotions was... strange. He was too remote from Doyle's Sherlock, yet didn't bring anything original or particularly interesting to the character.
(On the other hand, Watson wasn't introduced, nor acted, as the bumbling idiot he too often is in too many stories, which is always good in my opinion!)
The mystery itself was so-so. Not particularly interesting, a bit all over the place (France, London, art, potential love interests, kids disappearing, shifty French detective, Vidocq, a suspicious gaoler, silk trade...), beating around the bush, Mycroft's way of getting involved and making things easier for the characters—resulting in not much investigating on their part where there should've been... I suppose the themes it raised, like children treated as slaves or worse, should've been treated more seriously, only some of this was just thrown in, especially at the end, and its impact thus lowered.
The writing itself: not terrific either. Not emulating a “Victorian” style of writing, not close to Doyle's, too modern in parts... It didn't do much for me. Same with the “art” part, and the way it could've ran parallel with investigation methods: it didn't deliver.
I can't say I hated it, but I just didn't care.
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